Restoration & Service

Bring your instrument back to life.

Trust your most prized possessions to someone who understands vintage. We keep collectible instruments out of the wrong hands, and away from a “player-grade” fate. Every quote includes return shipping.

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Restoration and custom build work in the Artifact workshop

Every service, one place.

From a quick setup to a full vintage rebuild, every instrument that comes through the door gets the same attention to detail. Most work completed in under a week.

Guitar Repair

The full range of electric and acoustic repair: structural work, electronics, hardware, and more. All instruments, all makes, all eras.

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Vintage Restoration

Complete rebuilds, neck resets, era-correct refretting, and faithful re-creation of original components. Specialization in pre-war, vintage American, and collectible instruments.

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Refrets & Fretwork

Full refrets, fret leveling, crowning, and end dressing. Jescar FW55095 and FW58118 wire. Vintage-correct wire for instruments that call for it. Frets polished by hand.

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Setup & Intonation

Truss rod, nut slots, action height, intonation, and pickup height, all adjusted as a system and in the right order. Most setups completed same day or next day.

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Bone Nut & Saddle

Hand-cut from unbleached bovine bone or fossilized Siberian mammoth. Compensated saddles for accurate intonation. Fitted to any electric or acoustic instrument.

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Custom Builds

Unique instruments, exclusive finish techniques, and extreme selectivity of woods and components. Every custom build begins with a conversation. There are no off-the-shelf options here.

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Extensive restorations.

Structural repair, era-correct refretting, and faithful re-creation of original components. Restoration that respects an instrument's history rather than erasing it.

1960s Gibson Hummingbird restoration, neck removal, bridge, nut, and fretwork

Acoustic Rebuild

1960s Gibson Hummingbird

Neck carefully removed to correct geometry. Every contact point rebuilt with era-correct materials, fitted precisely around the natural wear of the fingerboard.

  • Neck removal and geometry correction
  • New hand-fitted bridge
  • Compensated bone saddle
  • Bone bridge pins
  • Era-correct refretting
  • Hand-cut bone nut
1930s Epiphone archtop after rebuild

Archtop Rebuild

1930s Epiphone Archtop

A ground-up rebuild of a pre-war archtop, returned to playing condition with its character and patina intact.

  • Neck reset
  • Full refret
  • Bone nut
  • Binding replacement with finish work and matched patina
  • Multiple structural repairs
1958 Fender Stratocaster restoration, full instrument, bridge detail, and fretboard work

Solidbody Restoration

1958 Fender Stratocaster

This 1958 Stratocaster came in from a Chicago recording studio in 2013. The studio had just bought it, and it needed serious work before it could be put to use. The owner's directive was clear: it had to feel like itself. No shortcuts, nothing that would compromise what it was.

The challenge was the fretwork. The instrument was entirely original, finish and fretboard and everything, and every pass with a file had to account for that. Protecting a 55-year-old nitrocellulose finish while leveling frets is the kind of work that can't be rushed. The bridge had rusted through and was cleaned piece by piece by hand. A bone nut was fitted to spec.

When it was done, it was exactly what a 1958 Stratocaster should be: warm, glassy, and immediate. Pre-CBS in every way that matters. The studio got what they came for.

  • Era-correct refretting around all-original nitro finish
  • Hand-cut bone nut
  • Full bridge disassembly and hand-cleaning
  • Original electronics preserved throughout
  • Body, neck, and hardware patina intact

Specialized fretwork.

Faceted fret ends, Artifact trademark

Fretwork

It's all about the frets, and anyone serious about playing will tell you the same. There are standards and best practices to maintain, but fretwork is never a one-size-fits-all scenario.

  • Full refrets in any gauge or alloy
  • Partial refrets and level/crown/polish
  • Vintage-radius preservation, no modification to the board
  • Trademark faceted fret ends: maximum surface area, no discomfort
  • Era-correct wire sourced to match original specs
1970s Telecaster refret with jumbo wire

1970s Telecaster Refret

6000-gauge wire perfectly seated on a 7.25-inch radius board, with the vintage integrity of the neck intact throughout.

  • Heavy jumbo wire, 6000 gauge
  • 7.25” vintage radius preserved
  • No board modifications
  • Full level, crown, and polish
1974 Fender Stratocaster, before and after refret

1974 Fender Stratocaster

Worn, uneven original frets, addressed without disturbing the instrument's original character. New frets and a carefully matched finish.

  • Full refret
  • Finish matched and blended at fret ends
  • Level, crown, and polish
  • Original board wear preserved
Bone nuts and saddles, hand-cut and fitted across multiple instruments

Bone Nuts & Saddles

Add the sonic superiority and aesthetic beauty of bone to any instrument. We use only carefully selected unbleached bovine bone, and fossil mammoth ivory sourced from Siberia.

  • Unbleached bovine bone, hand-selected
  • Fossil mammoth ivory from Siberia
  • Compensated saddles for perfect intonation
  • Fitted to any instrument
  • A difference you can see as well as hear

Unique, but familiar.

Sometimes a client wants something unique but familiar, and a custom piece is the answer. Exclusive finish techniques, immaculate fretwork, and extreme selectivity of woods and components.

Hippo tooth nut and saddle blank being measured, shaped, and fitted by hand

Hippo Tooth Nut & Saddle

A one-off commission. A client brought in his own hippo tooth blank and asked to have it cut and fitted to his instrument. Working a customer's material to final shape demands extra care: there is no second blank if something goes wrong.

  • Customer-supplied material, one-of-a-kind blank
  • Measured, rough-cut, and hand-shaped to the instrument
  • Slotted and polished to fit
  • Fitted to the same standard as any material we stock
Custom Jazzmaster-inspired Artifact electric guitar

Custom Jazzmaster-Inspired Artifact

A familiar silhouette taken somewhere new, built around exceptional materials and a finish technique that can't be replicated.

  • Quartersawn maple neck with Macassar ebony board and block inlays
  • One-piece alder body
  • Cracked milk paint finish on body
  • Staytrem bridge
  • Fralin pickups

Request a Quote

Restore what matters.

Tell us about the instrument and what it needs. It takes about three minutes, and every quote includes return shipping. Prefer to talk it through? Call (402) 317-6942.